Sunday, November 30, 2008

Victory, Now on to the Roses

Many of the fanatical PSU football pilgrims who congregated at the ritual battle held roses in their teeth. This was done as a symbolic act indicating that if PSU were to be victorious they would travel to Pasadena CA to partake in the finall territorial clash between the Big 10 and the Pac 10. Photo by Margaret Brown Vega.

Posted by Picasa

Rituals in Monumental Sunken Plaza Architecture


At the start of the ritual mock battle the crowd, which includes two individuals wearing military clothing, salutes the nation. A thin electronic banner of the flag of the United States of America is displayed on the monument. T

It is snowing, the band is on the field, the majorettes are wearing next to nothing, and camera rolls while the crowd salutes the flag.
It is considered a good omen if the band leader flips and does not fall. If the band leader falls it is a sign that the team will not perform well.

Photos by Margaret Brown Vega.

PSU Football Pilgrims Feasting Before the Battle

Football as metaphorical war? The linking of military insignia and the PSU football corporate brand would suggest so.


PSU Football Pilgrims Travel with the Corporate Brand

The recreational vehicles, which transport and house PSU football pilgrims, are "branded" with the corporate symbol.

Shrines to Lions and Ancestral Leaders

Outside the stadium (monumental architecture) football pilgrims erect small shrines to the Nittany Lion (the totemic figure) and Joe Paterno (ancestral leader).

Lion Shrine Land Grant Trophy/Big 10 Championship Game Day

PSU football pilgrims make a ritual journey to the Lion Shrine before "the big game". Part of the Brand Nittany Lion Corporate Symbol Study. Photo by Nathan Craig.
Posted by Picasa

Corporate Sylted Cozy

Discarded PSU Nittany Lion can cozy, two empty containers of the "silver bullet", a copenhagen tin, and a pack of Newports. Unarranged association of found bojects located on the PSU campus. Part of the Brand Nittany Lion Corporate Symbol Study.
Posted by Picasa

Friday, November 28, 2008

Performative Archaeology

Ritual reproduction requires restricted repetition. Tradition involves constrained improvisation according to agreed upon rules of conduct. By trying out cooking a turkey in a hole in the ground a group of anthropologists from PSU decided to challenge the culinary conventions of the National Ritual of Giving Thanks. The aim was not necessarily contrarian, but rather a reflexive desire to explore other options. No variables were isolated or measured at any point in these experiments. The project was done purely for fun and experience of pit oven cooking. Photos by Margaret Brown Vega.






Thursday, November 20, 2008

Honoring the Ancestors as Worlds Collide

An ancient Andean monument has been gouged by looters seeking precolumbian treasures; modern squatters (many Indigenous peoples from the highlands) who have migrated to the coast seeking a better life use the looter's pit as a bathroom and trash dump. Disembodied human arm and leg bones (many with flesh still attached), shredded funerary textiles, and shattered pottery are mixed in with modern human fecies, shreds of paper used for wiping, and plastic trash.Photo by Nathan Craig.
Posted by Picasa

Tuesday, November 18, 2008

A Study of Lion Multivocality

Symbols are polysemic or "multivocal" meaning a given token may have very different meanings. After taking a new position at Pennsylvania State University and having a long time interest in the symbols of Rastafarianism, Nathan Craig was prompted to assemble and juxtapose alternate uses of the Lion as a totemic symbol of power and inspiration. This collage is a study in two general modalities of meaning that surround lions, the African Lion and the Nittany Lion.
Posted by Picasa

Cement Safari

One hunter stalks prey to shoot visual captions (these photos) of the high powered capture (the photographers long lenses) of captives (the animals). Photos by Nathan Craig. Part of the Blackberry 8100 Series.

Posted by Picasa

Tuesday, October 14, 2008

Con(text)(rural)ized


Photo by Nathan Craig. Quimsatinta, Rio Ramis, Peru 2008. Still life of road ditch. Found association of objects: a study of light and texture in a rural setting.
Posted by Picasa

Monday, October 13, 2008

Lines of malacopoesis etched on an anthropogenic landscape of invaders

Calcium carbonates from an archaeological shell midden, located on the headland in center frame, alter the species profile of grasses. None of the broad stands of "natural" appearing "wild" grasses visible in this photograph are native species, all are introduced invaders impacted by grazing activities in the past. The boundary of the shell midden is sharply defined by the reddish colored patch of grasses which are composed primarily of "rip gut brome" (Bromis diandrus) a type of rye. The surrounding yellow-green grasses are composed largely of "oats" (Avena sativa). What may at first sight appear natural, is in fact a cumulatively multilayered accretion of compounding historical processes.


Detail showing the sharply defined borders of difference.
In the photograph below, oats (Avena sativa) are shown below and the rip gut brome (Bromis diandrus) is shown above.

Experiential reflections from a journey to "Small World": (re)connecting the 6 degrees of separation from the past

Quantifying the surface of a chenopod seed, excited electrons heighten the magnification and focus the penetrating gaze of science as investigators probe the undulations on a microtopographic landscape of domestication.

Sunday, October 12, 2008

Altar OED

Oxford English Dictionary altar

[a. L. alt{amac}re, pl. alt{amac}ri-a, prob. orig. a ‘high place,’ f. alt-us high. With OE. altar, cf. OS., OHG. and ON. altari, alteri, OFris. altare, alter. Side by side with the OE. form, the OFr. au{sm}ter (earlier autier, aultier, altier:{em}L. alt{amac}re) was adopted a 1300, and both forms, with many intermediate ones, continued to 16th c., when the spelling altar, after L., prevailed.]

A. 1. a. A block, pile, table, stand, or other raised structure, with a plane top, on which to place or sacrifice offerings to a deity.
c1000 ÆLFRIC Matt. v. 23 Læt {th}ær {th}ine lác beforan {th}am altare [v.r. wefode, Lindisf. G. wi{asg}bed, Hatt. weofede]. c1200 Trin. Coll. Hom. 135 {Edh}e holi man sah {th}e he{ygh} engel atte alteres ende. c1250 Gen. & Ex. 1325 Ysaac was leid {edh}at auter on. 1366 MANDEVILLE iii. 16 There is an Awtier upon his Toumbe. 1393 GOWER Conf. III. 250 From under thalter sodeinly An hideous serpent openly Cam out. 1535 COVERDALE Ex. xxxviii. 1 The altare of burnt offrynges. {emem} 1 Macc. iv. 49 The aulter of incense. 1611 BIBLE Gen. viii. 20 And Noah builded an Altar vnto the Lord. 1667 MILTON P.L. XI. 323 So many grateful Altars I would reare Of grassie Terfe. 1772 PENNANT Tours in Scotl. (1774) 180 An altar for sacrifices to the immortal gods. 1821 BYRON Cain I. i, I will build no more altars.

b. fig. with reference to the uses, customs, dedication, or peculiar sanctity of the altar.
1401 Pol. Poems (1859) II. 42 Datan and Abiron..with newe senceres ensencen the auters of synne. 1580 SIDNEY Arcadia I. 82 Where thoughts be the temple, sight is an aultar. 1601 SHAKES. Twel. N. V. i. 116 You vnciuill Ladie To whose ingrate, and vnauspicious Altars My soule the faithfull'st offrings haue breath'd out. 1635 HOWELL Lett. (1650) II. 41 Farewell my dear Tom..Yours to the altar, J.H. 1775 BURKE Sp. Conc. Amer. Wks. III. 94 The stones which construct the sacred altar of peace. 1857 HEAVYSEGE Saul (1869) 381 The stars shall sooner fall Each from its sacred altar in the heavens.

Monday, September 29, 2008

Sunday, September 21, 2008

Monumental Etymology: OED

Monumental, adj. and n.[ classical Latin monumentlis (1st cent. A.D.) < monumentum MONUMENT n. + -lis -AL suffix1. Compare French monumental relating to monuments (1802), of majestic grandeur (1805). Compare slightly earlier MONUMENTARY adj.]

1. a. Serving as a monument or memorial.
Quotes: 1596 C. FITZ-GEFFREY Sir Francis Drake sig. E8, The dangerous straights that yet doe bear his name, Are monumentall annals of the same. 1872 ‘M. TWAIN’ Roughing It lxxi, His second in command..opened fire upon the swarms of natives on the beach, and one of his cannon balls cut this cocoanut tree short off and left this monumental stump standing. 1897 H. E. CHETWYND-TAPYLTON Stapeltons of Yorks. 191 Torre also saw four monumental slabstones. 1954 S. PIGGOTT Neolithic Cultures Brit. Isles v. 132 At Wayland's Smithy..monumental peristaliths of standing sarsen stones..surrounded the mound

{dag}b. That serves as a token or reminder; spec. acting as a proof of identity. Obs.
Quotes: a1616 SHAKESPEARE All's Well that ends Well (1623) IV. iii. 18 Hee hath giuen her his monumentall Ring

2. Of or relating to a monument or memorial structure, or to monuments in general. In early use: {dag}of or relating to the tomb; sepulchral (cf. MONUMENT n. 1) (obs.). Also fig.
Quotes: 1603 T. POWELL Vertues Due sig. C6, The hallowedst mold, Left for monumentall vse. a1616 SHAKESPEARE Othello (1622) V. ii. 5 Skin..smooth, as monumentall Alablaster. 1646 R. CRASHAW Steps to Temple 35 Softly may he be possest, Of his monumentall rest

3. Resembling or suggestive of a monument; like a monument, esp. in being large, solid, imposing, etc.

Monument Etymoloogy: OED

Monument, n. classical Latin monumentum, monimentum commemorative statue or building, tomb, reminder, written record, literary work < monre to remind (see MONEO n.) + -mentum -MENT suffix. Compare Anglo-Norman monument tomb, Old French, Middle French, French monument (end of the 10th cent. in sense ‘tomb’, also in Old French as moniment; late 14th cent. in general sense ‘anything that preserves a memory of something’, 17th cent. in sense ‘lasting work of literature, science or art’, 18th cent. denoting edifices which are imposing by virtue of their grandeur or antiquity), Spanish monumento (1207), Portuguese monumento (a1284), Italian monumento (1292). With sense 1, compare Welsh mynwent (< classical Latin monumentum) graveyard. With the phrase monuments of letters (see sense 3b), compare classical Latin monumenta litterarum. With sense 4d, compare earlier use of French monument of a work of literature (see above), and also use of classical Latin monumentum in Horace Odes 3.30.1, where the poet compares his literary work to a bronze monument.]

{dag}1. A tomb, a sepulchre. Also fig. (see quot. c1475). Obs.
a1325 (c1280) Southern Passion (Pepys 2344) 1823 Now was hit a manere hows {th}at god was ynne ydo, Ygraued wyde in a roche..{Th}at is ycleped a Monument. a1400 (a1325) Cursor Mundi (Vesp.) 16904 {Th}e prince o preistes o {th}air lagh went to {th}at monument And sperd it wit a mikel stan. a1425 Gospel of Nicodemus (Harl.) 723 He wand {th}at cors..And layd it in his monument. c1475 (a1400) WYCLIF Eng. Wks. (1880) 299 Wo be to {ygh}ou, pharisees..{th}at ben hud monumentis

2. a. A statue, building, or other structure erected to commemorate a famous or notable person or event.
{dag}in monument of: in commemoration of (obs.).
c1400 Brut (Rawl. B. 171) 61 {Th}e kyng..{th}ou{ygh}t to make, in minde of ham, a monument of stone {th}at my{ygh}t endure to {th}e worldes ende

{dag}b. An effigy; a carved figure, statue. Obs. Freq. in Shakespeare. 1594 SHAKESPEARE Lucrece sig. D2, Where like a vertuous Monument shee lies, To be admir'd of lewd vnhallowed eyes.

c. A statue or other structure erected in memory of the dead, either over the grave or in a church, etc.
1594 SHAKESPEARE Titus Andronicus I. i. 347 Traitors away, he rests not in this toombe: This monument fiue hundreth yeares hath stood, Which I haue sumptuouslie reedified

d. A structure, edifice, or (in later use also) site of historical interest or importance.
Sometimes merging with sense 2a. See also ancient monument at ANCIENT adj. 4c.
1768 Woman of Honor II. 83 Paintings, statues, monuments..that so vulgarly satisfy the silly superficial gape of travelling sight-mongers

{dag}3. a. A written document or record; (Law) a legal instrument. Obs.
In legal contexts sometimes confused with MUNIMENT n. 1.

4. a. Something that by its survival commemorates and distinguishes a person, action, period, event, etc.; something that serves as a memorial.
Posted by Picasa

Wednesday, September 10, 2008

Contemporary Rock Art in the Rio Ramis

Modern political party, precolumbian instrument.
Posted by Picasa

Signs of the Times in the Rio Ramis








"Viva la Rebolucion-El Pueblo Dise"
The community says the revolution lives.


"Para los Burros Ben de Patria APRISTA"
For the donkeys that come from the APRISTA party.

Archaeologist/Blogger and Materialized Histories

Photo by Nathan Craig. Holding an iconic Marshalltown trowell, archaeologist Margaret Brown Vega stands at the doorway of a church that is part of a historic hacienda. This hacienda was constructed on top of a multicomponent precolumbian site that is called Calapuja. At least one modern Quechua resident of the region has clearly expressed their opinion in a rather multivocally poingnent way.
Posted by Picasa

Saturday, September 6, 2008

Prosyletization and fashion...assert your views in style


Photo by Margaret Brown Vega. In a truck stop off the interstate somewhere in the midwest (likely Oklahoma or Missouri) you can buy these amazing t-shirts. They are simultaneously an assertion of identity and worldview, as well as advertising for Christian living and saving the world. Notice the tag on the display case to the right: "Change your t-shirt. Change the world." http://shop.kerusso.com/Default.aspx
Posted by Picasa

Choose Your Ideology T-shirts

Details of some of the t-shirts that express Christian ideals. They tap into four very popular symbols that many people are familiar with: Starbucks, Rock Music, Tween Life (think Hannah Montana), and Reality TV shows. Photos by Margaret Brown Vegas.